Ranking 500+ Rolling Stones’ Singles, Album Tracks & Demos (1962-2022)

Compiled by Johnny Cole .

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The Rolling Stones, the most enduring band in rock & roll history, are back with a brand new studio album of new material. They released Hackney Diamonds on October 20, 2023, to positive reviews, while debuting at #1 in multiple countries around the globe. Their single “Angry” will likely be listed as my top song of 2023. What The Rolling Stones have proven is they are not going away quietly. In recent years, most (including myself) thought the band was likely done with new and interesting music, but obviously that’s not the case.

Over the past several weeks, I have gone through hundreds of recordings by The Rolling Stones dating back to 1962 to the present. The following list consists of singles, singular album tracks, unreleased songs, and bootlegs recorded prior to their latest album.

The band played their first show billed as “The Rolling Stones” on July 12, 1962, at the Marquee Club in London, England. The classic line-up of the Rolling Stones (Jagger, Richards, Jones, Wyman, and Watts) played for the first time in public on January 12, 1963, at the Ealing Jazz Club though Watts would not be the band’s official drummer until February 2, 1963.

According to Richards, Jones named the band during a phone call to Jazz News. When asked by a journalist for the band’s name, Jones saw a Muddy Waters LP lying on the floor; one of the tracks was “Rollin’ Stone.” From that moment on, the band would be called the Rolling Stones. Jones was the band’s “uncontested leader” during its early years and a key to the band’s early success.

In May 1963, the Rolling Stones signed 19-year-old Andrew Loog Oldham as their manager. He had been directed to them by his previous clients, the Beatles. Shortly thereafter, The Rolling Stones signed with Decca Records. Throughout their career, The Rolling Stones have sold over 200 million records worldwide, making them one of the best-selling music artists of all time.

The Rolling Stones were inducted into the Rock and Roll Hall of Fame in 1989. The following members were inducted:

● Mick Jagger – lead and backing vocals, harmonica, rhythm guitar, percussion, keyboards, bass guitar (1962–present)
● Keith Richards – rhythm and lead guitars, bass guitar, keyboards, percussion, backing and lead vocals (1962–present)
● Ronnie Wood – lead and rhythm guitars, bass guitar, backing vocals, pedal steel guitar (1975–present)
● Brian Jones – rhythm and lead guitar, harmonica, keyboards, sitar, various brass and wind instruments, percussion, backing vocals (1962–1969; died 1969)
● Bill Wyman – bass guitar, keyboards, piano, backing and occasional lead vocals (1962–1993; guest 2011, 2012, 2023)
● Charlie Watts – drums, percussion, occasional backing vocals (1963–2021; until his death)
● Mick Taylor – lead and slide guitars, bass guitar, synthesizers, congas, backing vocals (1969–1974; guest 1981, 2012–2014)
● Ian Stewart – piano, organ, percussion (1962–1963; touring and session member 1963–1985; until his death)

Other members: Dick Taylor – bass guitar (1962), Colin Golding – bass guitar (1962), Ricky Fenson – bass guitar (1962-1963), Carlo Little – drums (1962), and Tony Chapman – drums (1962-1963). The Rolling Stones have had numerous musicians who have regularly toured with them such as Bobby Keys, Nicky Hopkins, and Billy Preston. Some of their present touring band includes Chuck Leavell, Darryl Jones, and Steve Jordan.

I have seen the Rolling Stones many times on both sides of the Atlantic. Some of my most memorable Stones’ concerts took place at Hyde Park in London, England; Old Trafford Stadium in Manchester, England; Murrayfield Stadium in Edinburgh, Scotland, Desert Trip Festival in Indio, California; Superdome in New Orleans, Louisiana; LP Field in Nashville, Tennessee; Plaines d’Abraham in Quebec City, Quebec; and more.

The following does NOT include songs from their latest 2023 album, Hackney Diamonds. At this time, its lead single “Angry” is an early contender for my Favorite Song of 2023.

*All songs written by Mick Jagger and Keith Richards, unless noted. The list does NOT include the solo work by band members.

● 1. “Gimme Shelter” (the opening track on Let it Bleed, 1969) *the song features prominent guest vocals by soul and gospel singer Merry Clayton (The New Orleans-born singer has a long history of participating on great music). The popular song has been featured in a variety of films, television shows, and commercials. The 1970 documentary film Gimme Shelter, chronicling the last weeks of the Stones’ 1969 U.S. tour and culminating in the disastrous Altamont Free Concert, took its name from the song. A live version of the song is played over the documentary’s credits. Martin Scorsese has also cleverly used the classic song in three of his movies (Goodfellas, Casino, and The Departed).
● 2. “Sympathy for the Devil” (the opening track on Beggars Banquet, 1968) *ranked as one of the all-time greatest rock songs by multiple music critics.
● 3. “You Can’t Always Get What You Want” (the final track on Let It Bleed, 1969)
● 4. “Angie” (served as the lead single on Goats Head Soup, 1973) *peaked at #5 on the U.K. Singles Chart and #1 on the U.S. Billboard Hot 100 chart.
● 5. “Wild Horses” (the second single released from Sticky Fingers, 1971) *a song written by Jagger and Richards, but was first released in 1970 by The Flying Burrito Brothers as the Stones didn’t think the demo was worth fully recording. It was subsequently recorded by the Stones for their album Sticky Fingers when they felt it was worth reconsideration). *The Sundays, an English alternative rock band, recorded an outstanding version of the song in 1992.
● 6. “(I Can’t Get No) Satisfaction” (released as a single in 1965; first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 / US: Out of Our Heads, 1965) *peaked at #1 on multiple charts around the world, including #1 on the U.S. Billboard Hot 100 chart (their first chart-topper in the U.S).
● 7. “Paint it Black” (released as a single in 1966 on both sides of the Atlantic; first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 / US: Aftermath, 1966) *peaked at #1 on both the U.K. and U.S. charts.
● 8. “Jumpin Jack Flash” (released as a non-album single in 1968; first album appearance – UK/US editions of Through the Past, Darkly (Big Hits Vol. 2), 1969) *peaked at #1 on the U.K. Singles Chart and #3 on the U.S. Billboard Hot 100 chart (although it did not top the Billboard chart, it did peak at #1 on Cash Box’s Top U.S. Singles chart).
● 9. “Honky Tonk Women” (released as a non-album single in 1969; first album appearance – UK/US editions of Through the Past, Darkly (Big Hits Vol. 2), 1969) *released in the U.K. the day after the death of founding member Brian Jones with “You Can’t Always Get What You Want,” the single’s B-side. Surprisingly, “Honky Tonk Women” remains the band’s last single to reach #1 in the U.K. It also peaked at #1 on the U.S. Billboard Hot 100 chart. (See #31 on this list for “Country Honk” (the country version of “Honky Tonk Women”).
● 10. “Miss You” (served as the lead single on Some Girls, 1978) *peaked at #3 on the U.K. Singles Chart and #1 on the U.S. Billboard Hot 100 chart.
● 11. “As Tears Go By” (released as a single in the U.S. in 1965 and the U.K. in 1966; first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 / US: December’s Children (And Everybody’s), 1965) *written by Jagger, Richards, and The Rolling Stones’ manager Andrew Loog Oldham; originally released as a single by Marianne Faithfull in 1964. The Rolling Stones’ version peaked at #6 on the U.S. Billboard Hot 100 chart. The Rolling Stones also released an Italian version under the title “Con Le Mie Lacrime” with the lyrics written by Danpa (Dante Panzuti).
● 12. “The Last Time” (released as a single in 1965; first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 / US: Out of Our Heads, 1965) *peaked at #1 on the U.K. Singles Chart and #9 on the U.S. Billboard Hot 100 chart.
● 13. “Can’t You Hear Me Knocking” (the fourth track on Sticky Fingers, 1971) *Often considered as one of rock’s all-time greatest “guitar songs.”
● 14. “Fool to Cry” (served as the lead single on Black and Blue, 1976) *peaked at #6 on the U.K. Singles Chart and #10 on the U.S. Billboard Hot 100 chart.
● 15. “Mother’s Little Helper” (released as a single in 1966; first album appearance – UK: Aftermath, 1966 / US: Flowers, 1967) *peaked at #8 on the U.S. Billboard Hot 100 chart.
● 16. “Under My Thumb” (the fourth track on both the U.S. and U.K. editions of  Aftermath, 1966) *Although never released as a single in English-speaking countries, it remains one of the band’s more popular songs from the late 1960s and appears on several compilation albums.
● 17. “Time is on My Side” (released as a U.S. single in 1964; first album appearances – UK: The Rolling Stones No. 2, 1965 / US: 12 X 5, 1965) *written by Norman Meade (Jerry Ragovoy) and Jimmy Norman; the single peaked at #6 on the U.S. Billboard Hot 100 chart to become the Rolling Stones’ first U.S. top ten hit. Earlier in 1964, Irma Thomas, “Soul Queen of New Orleans,” recorded her R&B rendition of the song originally done by
Kai Winding and His Orchestra in 1963.
● 18. “Ruby Tuesday” (released as a single in 1967; first album appearance – UK: Through the Past, Darkly (Big Hits Vol. 2), 1969 / US: Between the Buttons, 1967) *peaked at #3 on the U.K. Singles Chart and #1 on the U.S. Billboard Hot 100 chart.
● 19. “Start Me Up” (served as the lead single on Tattoo You, 1981) *peaked at #7 on the U.K. Singles Chart and #2 on the U.S. Billboard Hot 100 chart.
● 20. “Waiting on a Friend” (the second single released from Tattoo You, 1981) *peaked at #13 on the U.S. Billboard Hot 100 chart.
● 21. “Brown Sugar” (the opening track and lead single on Sticky Fingers, 1971) *peaked at #2 on the U.K. Singles Chart and #1 on the U.S. Billboard Hot 100 chart.
● 22. “She’s a Rainbow” (the second single released from Their Satanic Majesties Request, 1967) *has often been called the prettiest and most uncharacteristic Rolling Stones song written by Jagger and Richards.
● 23. “Far Away Eyes” (the B-side to “Miss You” and sixth track on Some Girls, 1978) *The Rolling Stones, longtime country music fans, incorporated many aspects of the genre into this song.
● 24. “Doo Doo Doo Doo Doo (Heartbreaker)” (the second single released from Goats Head Soup, 1973) *peaked at #15 on the U.S. Billboard Hot 100 chart.
● 25. “Get Off of My Cloud” (released as a single in 1965; first album appearances – UK: Big Hits (High Tide and Green Grass), 1966 / US: December’s Children (And Everybody’s), 1965) *the follow-up to the successful “(I Can’t Get No) Satisfaction” peaked at #1 on both the U.K. Singles Chart and U.S. Billboard Hot 100.
● 26. “Street Fighting Man” (served as the lead single on Beggars Banquet, 1968) *the song sparked controversy in the United States upon release, with many radio stations boycotting the song and refusing to play it. As a result of this, the single peaked only at #48 on the U.S. Billboard Hot 100 chart. Despite the initial poor chart reception and controversy, “Street Fighting Man” was praised by the music press upon its release, and played a role in elevating the Rolling Stones’ reputation as a culturally subversive group.
● 27. “Moonlight Mile” (the final track on Sticky Fingers, 1971) *The song features multiple musicians playing alternate instruments due to the frequent absence of Richards during the recording sessions from this period. Regardless, “Moonlight Mile” has been largely considered an underappreciated song by the band.
● 28. “Emotional Rescue” (the title track served as the lead single on the album Emotional Rescue, 1980) *peaked at #9 on the U.K. Singles Chart and #3 on the U.S. Billboard Hot 100 chart.
● 29. “Tumbling Dice” (served as the lead single on the double album Exile on Main St., 1972) *peaked at #5 on the U.K. Singles Chart and #7 on the U.S. Billboard Hot 100 chart.
● 30. “Dead Flowers” (the ninth track on Sticky Fingers, 1971)
● 31. “Country Honk” (the third track on Let It Bleed, 1971; this country version of “Honky Tonk Women” was recorded prior to the release of the major hit single listed at #9.
● 32. “I Got the Blues” (the seventh track on Sticky Fingers, 1971)
● 33. “It’s Only Rock ‘n Roll (But I Like It)” (the title track served as the lead single on the album It’s Only Rock ‘n Roll, 1974) *peaked at #10 on the U.K. Singles Chart and #16 on the U.S. Billboard Hot 100 chart.
● 34. “Beast of Burden” (the second single released from Some Girls, 1978) *peaked at #8 on the U.S. Billboard Hot 100 chart.
● 35. “Let’s Spend the Night Together” (originally released by the Rolling Stones as a double A-sided single together with “Ruby Tuesday” in January 1967; first album appearance – UK: Through the Past, Darkly (Big Hits Vol. 2), 1966 / US: Between the Buttons, 1967) *peaked at #3  on the U.K. Singles Chart.
● 36. “Thru and Thru” (the next to final track on Voodoo Lounge, 1994) *my favorite song with Keith Richards on lead vocals; the song is also featured in season two of The Sopranos (Episode 26: “Funhouse”).
● 37. “Play with Fire” (originally released in 1965 as B-side to “The Last Time”; first album appearance – UK: Hot Rocks 1964-1971, 1971 / US: Out of Our Heads, 1965) *written by Nanker Phelge, the collective pseudonym used between 1963 and 1965 for several Rolling Stones group compositions.
● 38. “She’s So Cold” (the second single released from Emotional Rescue, 1980)
● 39. “You Gotta Move” (the fifth track on Sticky Fingers, 1971) *originally a traditional African-American spiritual song of unknown origin; Mississippi Fred McDowell’s blues rendition inspired many subsequent recordings, including this version by The Rolling Stones. Their version was included on Sticky Fingers without a songwriter’s credit. Later reissues listed the authors as McDowell and Gary Davis. The Rolling Stones originally recorded a 1969 version at the Muscle Shoals Sound Studios in Alabama, with a later recording in England in 1970 (which appears on the album).
● 40. “Shattered” (the final single released from Some Girls, 1978) *the single charted on the U.S. Billboard Hot 100 chart.
● 41. “Midnight Rambler” (the sixth track on Let it Bleed, 1969) *the song is based loosely on the biography of Albert DeSalvo, who confessed to being the Boston Strangler.
● 42. “Let It Bleed” (the title track of The Rolling Stones’ 1969 album; released as a single in Japan) *Despite the controversial lyrics, which include a number of drug and sexual references, it is a song mainly about “emotional dependency.”
● 43. “Bitch” (the B-side to “Brown Sugar”; sixth track on Sticky Fingers, 1971)
● 44. Love in Vain” (the second track on Let It Bleed, 1969) *written by Robert Johnson and originally recorded by him as “Love in Vain Blues” in 1937.
● 45. “Sister Morphine” (the eighth track on Sticky Fingers, 1971) *Jagger and Richards wrote this song with Marianne Faithfull, who released her version as a B-side to “Something Better” in 1969.
● 46. “Shine a Light” (the next to final track on the double album Exile on Main St., 1972) *a song about founding band member Brian Jones that was subsequently reworked and released after his 1969 death.
● 47. “19th Nervous Breakdown” (released as a single in 1966; first album appearance – UK/US editions of Big Hits (High Tide and Green Grass), 1966) *peaked at #2 on both the U.K. & U.S. charts.
● 48. “Ain’t Too Proud to Beg” (the second single released from It’s Only Rock ‘n Roll, 1974) *written by Norman Whitfield and Eddie Holland; originally recorded by The Temptations in 1966.
● 49. “Monkey Man” (the eighth track on Let It Bleed, 1969) *a tribute to Italian pop artist Mario Schifano, whom the Rolling Stones met on the set of his movie Umano Non Umano! (Human, Not Human!).
● 50. “I Just Wanna Make Love to You” (released in 1964 as the U.K. B-side to “Carol” and U.S. B-side to “Tell Me (You’re Coming Back)”; first album appearance – UK: The Rolling Stones, 1964 / US: England’s Newest Hit Makers, 1964) *written by Willie Dixon and originally recorded by Muddy Waters in 1954.

History of The Rolling Stones

● 51. “Sweet Virginia” (the sixth track on the double album Exile on Main St., 1972)
● 52. “Off the Hook” (the B-side to “Little Red Rooster” in 1964; first album appearance – UK: The Rolling Stones No. 2, 1965; US: The Rolling Stones, Now!, 1965)
● 53. “It’s All Over Now” (released as a single in 1964; first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 /  US: 12 X 5, 1964) *written by Bobby Womack and his sister-in-law Shirley Womack; first released by The Valentinos (featuring Bobby Womack) in 1964. The Rolling Stones recorded their cover at Chicago’s Chess Studios in 1964. The single peaked at #1 in the U.K. (their first U.K. chart-topper) and #26 in the U.S.
● 54. “I Wanna Be Your Man” (a non-album U.K. single in 1963 and a U.S. B-side to “Not Fade Away” in 1964; The Rolling Stones’ rendition did not appear on a studio album but appears on a variety of future compilation albums and box sets, including Singles Collection: The London Years, 1989) *written by John Lennon and Paul McCartney
● 55. “Little Red Rooster” (or “The Red Rooster” as it was first titled) (originally released in the U.K. as a single in 1964; first album appearance –  UK: Big Hits (High Tide and Green Grass, 1966 / US: The Rolling Stones, Now!, 1965) *The Stones’ version peaked at #1 in the U.K., and remains to this day the only time a blues song has ever topped the British pop charts. The song is a blues standard credited to arranger and songwriter Willie Dixon and originally recorded in 1961 by Howlin’ Wolf in the Chicago blues style. “Little Red Rooster” is rooted in the Delta blues tradition and folklore. Musical antecedents to “Little Red Rooster” appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
● 56. “Not Fade Away” (The Rolling Stones’ debut single in the U.S., peaking at #48 on Billboard’s Hot 100 singles chart in 1964, while peaking at #3 in the UK. The single’s first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 / US: England’s Newest Hit Makers, 1964) *written by Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty’s co-writing credit is likely to have been a formality); originally recorded by Holly and his band, The Crickets in 1957.
● 57. “Live with Me” (the fourth track on Let It Bleed, 1969) *the first song recorded with the band’s new guitarist Mick Taylor, although the first record the band released with Taylor was the single version of “Honky Tonk Women.” The song also marks the first time the Stones recorded with tenor saxophonist Bobby Keys (who played on many of their records thereafter), and the only time Leon Russell would play with the Rolling Stones. Russell and Nicky Hopkins contributed piano to the piece.
● 58. “Mixed Emotions” (served as the lead single on Steel Wheels, 1989) *peaked at #5 on the U.S. Billboard Hot 100 chart and #1 on the U.S. Billboard Mainstream Rock chart.
● 59. “Sway” (the B-side to “Wild Horses” and second track on Sticky Fingers, 1971)
● 60. “Happy” (the second single officially released from the double album Exile on Main St., 1972) *the only single by the band to chart on the U.S. Billboard Hot 100 with Richards singing lead.
● 61. “Lady Jane” (In the U.S., the song was released as the B-side to “Mother’s Little Helper”; first album appearance – U.K./U.S. editions of Aftermath, 1966)
● 62. “Ventilator Blues” (the twelfth track on the double album Exile on Main St., 1972) *written by Jagger, Richards, and Mick Taylor.
● 63. “Undercover of the Night” (served as the lead single on Undercover, 1983) *peaked at #9 on the U.S. Billboard Hot 100 chart.
● 64. “Like a Rolling Stone (Live)” (served as the lead single on Stripped, 1995) *written and originally recorded by Bob Dylan in 1965; The Stones recorded their live version at London’s Brixton Academy on July 19, 1995.
● 65. “Slipping Away“ (the final track on Steel Wheels, 1989) *a ballad sung by Richards that has been performed live on several tours.
● 66. “Going to a Go-Go (Live)” (served as the lead single on Still Life, 1981) *written by Smokey Robinson, Pete Moore, Bobby Rogers, and Marv Tarplin; originally recorded by Smokey Robinson and The Miracles in 1965.
● 67. “Stoned” (released in the U.K. as the B-side to “I Wanna Be Your Man” in 1963; first album appearance – UK: No Stone Unturned, 1973 / US: Singles Collection: The London Years, 1989) *written by Nanker Phelge, the collective pseudonym used between 1963 and 1965 for several Rolling Stones group compositions.
● 68. “Come On” (The Rolling Stone’s 1963 debut single in the UK; first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 / US: More Hot Rocks (Big Hits & Fazed Cookies), 1972) *written and originally recorded by Chuck Berry in 1961.
● 69. “Everybody Needs Somebody to Love” (two versions of the song were recorded by The Rolling Stones in 1964; first album appearance – UK: The Rolling Stones No. 2, 1965 / US: The Rolling Stones, Now!, 1965) *written by Jerry Wexler, Bert Berns, and Solomon Burke; originally recorded by Burke in 1964. The earlier of the two Stones’ versions was apparently issued by mistake on the U.S. release of The Rolling Stones, Now!
● 70. “Hangfire” (the third single released from Tattoo You, 1981)
● 71. “Have You Seen Your Mother, Baby, Standing in the Shadow?” (the first Rolling Stones single to be released simultaneously (September 23, 1966) in both the U.K. and the U.S.; first album appearance – UK: Big Hits (High Tide and Green Grass), 1966 / US: Flowers, 1967) *peaked at #5 on the U.K. Singles Chart and #9 on the U.S. Billboard Hot 100 chart.
● 72. “Stop Breaking Down” (one of the final tracks on the double album Exile on Main St., 1972) *written by Robert Johnson.
● 73. “One Hit (To the Body)” (the second single released from the moderately successful, yet critically panned album Dirty Work, 1986) *written by Jagger, Richards, and Ronnie Wood (the first Rolling Stones’ single to feature a Wood co-writing credit).
● 74. “When the Whip Comes Down” (the B-side to “Beast of Burden” and second track on Some Girls, 1978)
● 75. “Good Times” (recorded in 1965; first album appearance – UK/US editions of Out of Our Heads, 1965) *written and originally recorded by Sam Cooke in 1964.
● 76. “I’m Free” (the U.S. B-side to “Get Off of My Cloud”; first album appearance – UK: Out of Our Heads, 1965 / US: December’s Children (And Everybody’s), 1965)
● 77. “Memory Motel” (the fourth track on Black and Blue, 1976) *one of the few songs to feature Jagger and Richards sharing lead vocals. At more than seven minutes long, it is one of the longest songs by the band, too.
● 78. “I’ve Been Loving You Too Long” (fifth track on U.S. release of Got Live If You Want It!, 1966; In 2002, More Hot Rocks (Big Hits & Fazed Cookies) was reissued in a newly remastered CD set, which also featured the classic cover) *written by Otis Redding and Jerry Butler; originally recorded by Redding in 1965. In response to The Rolling Stones recording his song, Redding recorded “(I Can’t Get No) Satisfaction.”
● 79. “Till the Next Goodbye” (the fourth track on It’s Only Rock ‘n Roll, 1974)
● 80. “Tell Me (You’re Coming Back)” (released as a single in 1964; first album appearance – UK: The Rolling Stones, 1964; US: England’s Newest Hit Makers, 1964)
● 81. “Just Your Fool” (served as the lead single on Blue & Lonesome, 2016) *written by Buddy Johnson; originally recorded by Buddy Johnson and His Orchestra in 1953.
● 82. “Blinded by Love” (the sixth track on Steel Wheels, 1989)
● 83. “Doom and Gloom” (the first of two new singles released from GRRR!, the 50th anniversary compilation album, 2012)
● 84. “Let it Loose” (the fourteenth track on the double album Exile on Main St., 1972)
● 85. “Saint of Me” (the second single released from Bridges to Babylon, 1997) *Waddy Wachtel, Me’Shell Ndegéocello, Pierre de Beauport, Darryl Jones, and Billy Preston join the band on this track; To date, “Saint of Me” is the Rolling Stones’ last original song to chart on the U.S. Billboard Hot 100 chart.
● 86. “Rock and a Hard Place” (the second single released from Steel Wheels, 1989)
● 87. “Love Is Strong” (served as the lead single on Voodoo Lounge, 1994) *peaked at #2 on the U.S. Billboard Mainstream Rock chart.
● 88. “Heart of Stone” (released as a U.S. single in 1964; first album appearance – UK: Out of Our Heads, 1965 / US: The Rolling Stones, Now!, 1965) *peaked at #19 on the U.S. Billboard Hot 100 chart.
● 89. “Almost Hear You Sigh“ (the third single released from Steel Wheels, 1989) *written by Jagger, Richards, and Steve Jordan (the current drummer for The Rolling Stones).
● 90. “You Got Me Rocking” (the second single released from Voodoo Lounge, 1994) *peaked at #2 on the U.S. Billboard Mainstream Rock chart.
● 91. “I’m a King Bee” (recorded in 1964; first album appearance – UK: The Rolling Stones, 1964 / US: England’s Newest Hit Makers, 1964) *written and originally recorded by Slim Harpo (James Moore) in 1957.
● 92. “Out of Tears” (the third single released fromVoodoo Lounge, 1994)
● 93. “Hate to See You Go” (the second single released from Blue & Lonesome, 2016) *written and originally recorded by Chicago blues artist Little Walter.
● 94. “Hoo Doo Blues” (the ninth track on Blue & Lonesome, 2016) *written by Otis Hicks and Jerry West.
● 95. “Little Queenie” (recorded live at Madison Square Garden in New York City on Nov. 28, 1969; released as a single from Get Yer Ya-Ya’s Out! The Rolling Stones in Concert, 1970) *written and originally recorded by Chuck Berry in 1958.
● 96. “Sweet Black Angel“ (the B-side to “Tumbling Dice” and eighth track on the double album Exile on Main St., 1972) *one of the few outright political songs released by the Rolling Stones; In recent years, the song’s lyrics have come under considerable scrutiny.
● 97. “Heaven” (the ninth track on Tattoo You, 1981)
● 98. “Blinded by Rainbows” (the twelfth track on Voodoo Lounge, 1994)
● 99. “You Better Move On” (recorded in 1964; first album appearance – UK: The Rolling Stones EP, 1964; US: December’s Children (And Everybody’s), 1965) *written and originally recorded by Arthur Alexander
● 100. “Down in the Bottom” (aka “Meet Me in the Bottom” and “Fat Old Man”) (recorded at Chicago’s Chess Studios in 1964; one of the tracks on Outtakes, Demos & Radio Sessions (1964–1968) *written by Willie Dixon and originally recorded by Howlin’ Wolf in 1961.